Walking the Streets of my Hometown IV - Old Rid

I'm reading When Giants Fall, by Gary Long and Randy Whiteman. It's the story of the Gilmour Logging Company,  a c.19 lumbering giant in eastern Ontario. Their Trenton operation was one of the world's largest in the 1880's.

I have often wondered about this Trenton building. I have a hunch  it's the headquarters of Gilmour Logging Co. A photo from 1900, on page 183 of the book, shows a tree-lined street with a single horse and buggy, and a building facade very similar. The book describes the headquarters on Dundas street, just 600 metres from the sawmill. The river is nearby, across the street from the building's sunny side. Good spot for a sawmill. An archival photo reproduced on page 40 of the book shows the massive mill and lumber yards occupying the eastern shore of the river mouth, just behind this building. (I'm including this photo to encourage you to purchase this outstanding local history book.)

Eleanor, Al and Ridley Purdy

What's this got to do with Al Purdy? His grandfather Old Rid, who features prominently in all of Al's work,  was a Gilmour logger.

"Trenton had been a lumbering town in the days before dams were built on the river, when sprawling log booms floated downstream and coal oil lamps lighted the houses. In my grandfather's era the Gilmour Lumbering Company provided much of the town's prosperity. Potash, lumber and squared timber were shipped outward by sailing ship from the rivermouth harbour in the nineteenth century....(p.32, RBS)

Hmm. Wonder if the current tenants would like a plaque?

Walking the Streets of my Hometown III

looking north

Views of Trenton from Mount Pelion.

To the right, a view of the railway bridge spanning the Trent River. At the foot of this bridge, Al Purdy found a fecund source of reading material at Merker's junkyard.(p.17, MS)

Of Mount Pelion he writes:
"Trenton had a population of about six thousand in the 1920's. The town was divided into two halves by the wide, black Trent River flowing under an old iron bridge; and dominated by an oversized molehill, Mount Pelion, with an old Crimean War cannon on its crest". (p.10, MS)

looking down

Mount Pelion. Any relationship to its namesake in central Greece is purely accidental. I haven't figured out the origins of its lofty name. In reality, it's a hill overlooking Trenton. Several old residential streets run up to the base of the hilltop park; one zigzags up to the parking lot. My first visit was a disappointment - the place appeared to be the headquarters of the local disaffected bottle-smashing crowd.

But times change, and some very fine improvements have been wrought. Great steps. A bench and viewing platform. The view is unchanged - quite breathtaking actually. Interesting to compare the healthy river and its parklands with the pictures Al Purdy paints of the creosote-rainbowed river and industrial wasteland that occupied the area, unchallenged by the any nascient environmental awareness.

looking east

Mount Pelion figures in each of the autobiographical works of Al Purdy. It was to this refuge that young heroes of the semi-autobiographical novel A Splinter in the Heart pushed their wheel-chair bound neighbour and her frail husband, to escape the waves of explosions from the 255-acre site of the British Chemical Company which self-destructed the night of October 14, 1918.

For the true story of the (now almost completely forgotten) explosion that almost wiped Trenton from the map in 1918, read Explosion: Trenton Disaster by John Melady, Mika Publishing Company, Belleville, 1980.

Walking the Streets of my hometown, Trenton II

Still along Front Street. Today a park by the Trent River. The sprawling tree on the right is a willow tree. It could well have been one of the hardy types who planted themselves among the industrial sites along the river, happy for the closeness to the water, unconcerned about its quality.

Al Purdy noticed these hardy trees.

"Reddick's Sash & Door Factory across Front Street overlooked the Trent River. Lumber and heavy planks were piled in sheds where thick-bodied willows leaned over the water, their red roots waving under the surface like drowned girls' hair. I went there to be alone, sitting on the sweet-smelling lumber, trying to get used to being alive."  (p. 11, MS)

Maybe it's time to name this park?

Walking the Streets of my hometown, Trenton

In the 20th century, we are turning our faces back to the waterfronts of our towns and cities. Waterfront property has high prestige and matching taxes. Communities are turning former industrial slums into community parks and walking trails. Those properties beyond repair are fenced off, too contaminated for now.
This happened slowly. For the first peoples, then the UEL's who settled the Quinte area, the Bay of Quinte and the Moira and Trent Rivers were the highway. Settlers took a generation or so before they ventured far deeper into the bush than 'the front' of their townships. Human- and wind-powered craft navigated the waters. The waters were in control, exacting their toll of human life on shoals, in storms.

location of Al Purdy's childhood home, 134 Front St. Trenton

But mankind took revenge. The welcome early water-powered grist and lumber mills were replaced by increasing numbers of factories running on coal and steam. Environmental awareness was non-existent; waste products drained into rivers and lakes - convenience and progress the bywords. Shipping expanded - sail gave way to coal-powered steam, to petroleum based fuels. Railways developed parallel to the waterways to increase transportation capacity. Industrial development continued to expand beyond nature's capacity to heal itself. Human needs for coal, for petroleum based products, for space, trumped natural beauty.Waterfronts of towns and cities became vast industrial districts as factories and foundries became larger, more powerful, more toxic. Old photos of Ontario towns show industrial wastelands, with poor people struggling to survive amid them like the willows that somehow managed to plant themselves among coal sheds, manure piles and heaps of rusting iron.

Al Purdy's Trenton of the 1920's was this kind of town. In his memoir Morning and it's Summer (MS), his autobiography Reaching for the Beaufort Sea (RBS) and his novel A Splinter in the Heart (SH) he takes the reader along on his neighbourhood walks with his grandfather, his escapades as a boy, his long distance runs as a struggling adolescent - through the very neighbourhood that I drove around last week. On a particularly raw, cold, unlovely day.

We'll start here.

The photo is the empty lot where the house once stood, where Al Purdy and his mother Eleanor moved when Al senior died in 1921 and Al was 3 or 4 years of age. The Front Street house overlooked the river. Well, not exactly. Here I quote:

"The B.W. Powers coal sheds filled nearly a whole block on the river side of our street. I watched great teams of drayhorses struggling out of the sheds, their wagons loaded with canvas bags of coal, delivered by black-faced sweating men to the town stoves and furnaces." (p. 10 MS)
"Walking the streets of my hometown, Trenton....McLean's pumpworks across the street is a ghost building, although I can still visualize its tin-covered walls...Trenton Creamery is gone; so are B.W.Powers coal sheds." (p. 27, MS)

I'm fixing a hole where the rain gets in...

This unprepossessing building was Al Purdy's writing room.
The gabled section was a found shed, moved onto the Roblin Lake property.
Al and Eurithe (likely aided and abetted by the Parkhurst clan) built the flat roofed section.

This building is likely one of Canada's most famous writer's retreats.
Al housed a remarkable collection of Canadian writers' work here.
And created the poetry which many say defines Canada and Canadians.

Just recently, Matti the contractor, with a remarkable baritone voice suited to intoning poetry, fixed the hole in the roof. Actually, he replaced the roof entirely. Needed to.

This is exciting.
This marks the beginnings of a renaissance.
Some day very soon, the dreams of the Al and Eurithe Purdy A-Frame Association will be realized.
This writer's home will become a writer-in-residence location.
And Al and Eurithe's home will live on.



The title?
Not Al Purdy this time.
Lennon & McCartney.
Now I defy you not to hear the melody in your head.

Wild Grape Wine

wild grapes eluding harvest, Macdonald Farm/Sandbanks PP

The delightful and energetic Jean Baird hit it:
"Al was making wine in Prince Edward County long before the vineyard and winery days."

Quite rightly.

And a delightful link forms between the irascible impecunious poet on Roblin Lake in the 1950's and 60's, and the new generation of  upmarket wineries enticing visitors into this the loveliest of counties.









 Al's wine clearly made an impression (if not a durable stain) on many who partook. Stories abound of nights of poetry and history made profound by copious amounts of beer and Al's homemade wine.




"I am picking wild grapes last year
in a field
         dragging down great lianas of vine
tearing at 20 feet of heavy infinite purple..."


                                               The Winemaker's Beat-Etude in Wild Grape Wine (1968)

I spotted these high-flying wild grapes along a farm lane near my campsite at Sandbanks Provincial Park. The farm was sold decades ago for part of the campgrounds, but some of the fields are still cultivated. And some of the old fence-lines are still small-mammal wildernesses. It was along such fence-lines that Eurithe and Al collected the grapes for the legendary wine.

Hearing voices

Some time ago, in my architecture history blog 'ancestralroofs' I posted Hearing voices, doesn't everybody?
It talks about that feeling that a place conjures, that invitation to pause, to time-travel, to connect with its history, its earlier inhabitants. I describe it as resonance - the associations bring strong emotions. Goosebumps.

Echoes. A sense of place.
Maybe everyone does it.
I grew up thinking of it as a character flaw.
I remember our sensible farmer's wife mother upbraiding me, in my 'Gauloises-candles in dark rooms-Highway 61 Revisited' phase: "You think too much."

the old Valley Road, Ameliasburgh - now Purdy Lane

Now with the literary tour project I get to do this with permission.
Sorry mom.
Jean Baird thinks it might be a good fit.
And I think Jean Baird is a good judge of people.